The power of capoeira: Manila street children find a new rhythm through sport

The power of capoeira: Manila street children find a new rhythm through sport

The power of capoeira: Manila street children find a new rhythm through sport

What would have happened to Joshua if he had not started practising capoeira? As a young boy on the streets of Manila, he was among the most vulnerable, with an unstable family situation and already abusing drugs.

That bleak situation confronts far too many children in the Philippines, where more than 1 million children are living in the streets, according to UNICEF. They face hardships that no child should, including being deprived of an education, social marginalization, malnutrition, and physical and sexual abuse. Those same problems, however, endanger many other children as well, with data from the Philippines Statistics Authority showing that 31.4% of children were living below the basic needs poverty line nationally as of 2015.

For children on the margins, reintegrating into society can involve almost insurmountable barriers. In addition to the discrimination they face, most of them have developed “fear and complicated relationships with adults”, said Jaime Leandro Benedicto, a capoeira instructor and teacher at the NGO Project Bantu Philippines, which provides programmes for disadvantaged children and youth. “The sport allows them to gain trust and respect the authority figures to slowly reconnect with the society.”

Sport is a powerful force for building peace and driving the 2030 Agenda for Sustainable Development. As Traditional Sports and Games registered by UNESCO, capoeira contributes to intercultural and intercommunity dialogue, while helping to sustain traditional knowledge and practices.

“The linkages between youth development and sport are clear,” states the UNESCO publication “Youth Development Through Martial Arts” published in 2019.  “Sport can be used to teach healthy living, promote well-being and foster intercultural dialogue and peace building. It fosters cognitive development, which has a range of wider benefits in all aspects of learning, socialization and well-being.”

These qualities led to the founding of Project Bantu in 1998 in Brazil by Edielson da Silva Miranda, who is now known as Mestre Roxinho. He moved to Australia in 2006 where he began to work with vulnerable populations including refugees and Aboriginal Australians, providing psychological and social empowerment through Capoeira Angola.

An Afro-Brazilian art form integrating martial arts, acrobatics, music and dance, capoeira is a remarkable cultural practice in the tradition of raising up people excluded from the dominant society and fighting for equal treatment. As the most traditional form of Capoeira, the Capoeira Angola  takes roots in the enslaved people of the 16th-century Portuguese colony of Brazil, most of whom had been brutalized and stolen from their homes in present-day Angola, as recounted by Dr Silvia Hunold Lara, a professor of history at the Universidade Estadual de Campinas, Brazil.

Although the precise origins of Capoeira Angola are shrouded in history, one theory is that the dance movements and violent kicks express the will to fight back against their oppressors and recreate their cultural identity. The capoeira circle, involving both martial artists and musicians, was inscribed as Intangible Cultural Heritage of Humanity in 2014.

The theme of empowerment persists in Project Bantu, implemented in the Philippines in 2012. The NGO educates and empowers vulnerable young people who have experienced high levels of trauma facing “enormous social, economic, nutritional, psychological and behavioural hurdles”. Mr Benedicto, who has practised capoeira for nearly 15 years, and Project Officer Jacqueline S Cruz manage the NGO , which now conducts programmes for more than 300 children and young people in Manila.

Many of those young people, including Joshua (who is being referred to by a pseudonym to protect his privacy), have faced cruel circumstances through no fault of their own. Lacking social stability opens the door to potential health problems, violence, drug use, conflict with the law and, for some, death. Breaking out of the vicious circle of poverty and discrimination is critical for reintegrating into society – and finding a job, which can be a near-impossible mission for a young person labelled as a menace or potential criminal.

In this very challenging context, Mr Benedicto believes in capoeira as a positive force for change that promotes psychosocial development values. “Capoeira Angola needs a high level of concentration, control of movement, emotion and respect for the opponent,” he said, adding that engaging street children in school can be difficult, but they were more likely to keep coming back to capoeira classes. “You need to hook them,” he said.

To develop leadership and responsibility, Project Bantu offers to the more experienced capoeiristas the opportunity of becoming assistant teachers, work in the office and caring for the instruments used in the art form. Step by step, children and youth gain more self-confidence by successfully accomplishing tasks and earning money on their own, which also helps them to integrate into the broader society.

This is the path that Joshua has followed. As a child, he experienced family and drug problems that threatened to permanently alter the course of his life. Now, at age 18, he is a teaching assistant at Project Bantu and a valuable contributor to the NGO. “The children know that they can find a real community”, Mr Benedicto said, “a safe place to share knowledge and gain skills”.

The “game” of capoeira is not only a simulation of social interaction, but also a mental exercise. In another context unconnected to Project Bantu, Tirapat Chernprateep, a member of the International Capoeira Angola Foundation in Bangkok, describes the empowering effect of the art. “Capoeira helps to engage with the society, to be able to fight for what you want and to not be oppressed by the system,” Tirapat said. Concentration is incredibly important and the purpose is to engage, not harm, the opponent.  In capoeira class, everyone is equal.

That ethic of equality pervades all of Project BANTU’s programmes, which in addition to street children include girls and members of the LGBTQI community. With more than 100 girls and young women as students, the NGO seeks to encourage them to overcome gender bias and stereotypes by setting goals and overcoming challenges.

“The girls can be scared at the beginning, but then they overcome their fear,” Mr Benedicto said. “When they realize they can do it, they are able to believe in their career and their future.” He believes this new mindset carries over into the home and society to build more respect and equality between individuals. At present, Mr Benedicto is the only full-time teacher at Project BANTU Philippines, the office is donated, and volunteers are a crucial support. Yet the young people that the NGO helps are a concern for everyone. To inculcate values like confidence, self-awareness, integrity and respect – giving children a chance to believe in a brighter future – is building a better society for all.

By Lisa Lahitte, a Public Information and Outreach volunteer at UNESCO Bangkok and former volunteer in Cebu City.

* A version of this article was first published in Rappler